From Romanticized Mechnaics to the Cathedral of Light
Gothic architecture: technology and symbolism
The Gothic system: "romanticized mechanics"?
Symbolic interpretations and two world wars
Ornament, style, and space
The first and second Viennese schools
August Schmarsow: art as a system
The question of style, or, the search for unity
Space and the picture as plane
An Introduction to the Art of Cathedrals
Seeing the host: St. Francis and the testimony of one's own eyes
The physics and metaphysics of seeing
Architecture and the "connoisseurs"
Architectural relics and innovations
The enhancement of the visual
Architectural iconology and the architect's role
Chartres and Bourges: "classical" or "gothic"?
The French model: Canterbury, Cologne, and Prague
Architecture, color, and glass
The carved image and its functions
The carved image and the liturgy
The cathedral as a theater of memory
Expression, color, and dress
Models, transmission of forms and types, and working methods
A new model: the royal portrait
The transmission of forms and types
The display and sale of art.
