Savage junctures: Sergei Eisenstein and the shape of thinking

Beyond recognition: strike and the eye of the Abattoir

Fourth-dimensional Medusa: Battleship Potemkin and the construction of the Soviet Cinema audience

Picture-thinking: October and the debris of philosophy

Excavating the general line: the pleasures and perils of accumulation

Savage thinking: the sublime surfaces of Eisenstein's Mexico

The skeleton dance: animation, terror and the musical comedy

Beyond pleasure: Ivan and the juncture of beginning and end.