Political and protest theatre after 9/11: patriotic dissent

Introduction

Mainstages. The 2003-2004 season and Broadway musical theatre as a political conversant / Stacy Wolf

The ubiquitous orange jumpsuit: staging iconic images and the production of the Commons / Josh Abrams

America as rogue state: Caryl Churchill's Drunk enough to say I love you? / Amelia Howe Kritzer

Terrorized by the War on Terror: Mark Ravenhill's Shoot/ Get Treasure/ Repeat / Jenny Spencer

Unraveling the golden thread: performing the politics of Black Watch / Marcia Blumberg

Voices and/of the other: documentary and oral history performance in post-9/11 British theatre / Ryan Claycomb

Antiwar activism and the structures of trauma in the plays of Eve Ensler and Kathryn Blume / Emily Klein

Alternative spaces. Why we have failed: Culture Project's Iraq War plays / Jeanne Colleran

Descent as dissent: Arab American theatrical responses to 9/11 / Dalia Basiouny

A view of The brig: from the cage to the street / Katy Ryan

Camping on the streets, squares, and wastelands of power: theatrical protest and the "War On Terror" in the U.K. / Jenny Hughes

Patriot acts: all-American tactical performance in the Age of Permawar / L.M. Bogad

Performing citizenship: The Concert for New York City and the construction of post-9/11 America / Jennifer Chan

The maladapted hothead paisan: a lesbian comedy of terrors / Sara Warner.