Trash: African cinema from below

Bataille, Stam, and locations of trash

Rancière: aesthetics, its mésententes and discontents

The out-of-place scene of trash

Globalization's dumping ground: the case of Trafigura

Agency and the mosquito: Mitchell and Chakrabarty

Trashy women: Karmen Gei, L'Oiseau Rebelle

Trashy women, fallen men: Fanta Nacro's "Puk Nini" and La nuit de la vérité

Opening the distribution of the sensible: Kimberly Rivers and Trouble the water

Abderrahmane Sissako's Bamako and the image: trash in its materiality

The counter-archive for a new postcolonial order: O Herói and Daratt

Nollywood and its masks: Fela, Osuofia in London, and Butler's Assujetissement

Trash's last leaves: Nollywood, Nollywood, Nollywood.